Greimas and other semioticians of the Paris School believe that reality is always illusive and that the factors affecting the formation of a narrative are always ambiguous. Based on this view, a narrative is always a simulation of reality. Based on Greimas' actants model, this paper presents an analysis of two stories from Tarikh-e Beyhaghi, with the aim of revealing two types of narratives; the first type cannot be analyzed very well using this model because the author Beyhaghi had no access to authentic details about it and thus presented a poor characterization. The second type can be analyzed using this model because of excellent characterization. The stories reflect reality to a great extent, which shows Beyhaghi's mastery of simulating historical facts in the form of narratives.
Khademi, N., & Pourkhaleghi Chatroudi, M. (2009). Tarikh-e Beyhaghi based on Greimas' actants model Semiotic-structural analysis of two stories from. New Literary Studies, 42(3), 47-67. doi: 10.22067/jls.v42i3.4195
MLA
Narges Khademi; Mahdokht Pourkhaleghi Chatroudi. "Tarikh-e Beyhaghi based on Greimas' actants model Semiotic-structural analysis of two stories from", New Literary Studies, 42, 3, 2009, 47-67. doi: 10.22067/jls.v42i3.4195
HARVARD
Khademi, N., Pourkhaleghi Chatroudi, M. (2009). 'Tarikh-e Beyhaghi based on Greimas' actants model Semiotic-structural analysis of two stories from', New Literary Studies, 42(3), pp. 47-67. doi: 10.22067/jls.v42i3.4195
VANCOUVER
Khademi, N., Pourkhaleghi Chatroudi, M. Tarikh-e Beyhaghi based on Greimas' actants model Semiotic-structural analysis of two stories from. New Literary Studies, 2009; 42(3): 47-67. doi: 10.22067/jls.v42i3.4195
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