In linguistics, the relation between syntax and thought is expressed by verbs and their relationship with subjects, objects and predicates. This link, in turn, creates grammatical voices such as active, passive and so on. Grammatical voice indicates the writer's attitudes towards and viewpoints on a subject and reflects his/her mental and spiritual state. Grammatical voice can be employed to compare the moods of different poets. In this article, we seek to examine and compare the grammatical voice in three ghazals by Ebtehaj, Naderpour and Farrokhzad and relate it to the School Romanticism using statistical analysis. These ghazals are an imitation of one of Sa’di's poems. Results indicate that in the chosen poem the active voice is used more because of the conversation taking place between the lover and the beloved. Farrokhzad has used newer language strategies in her poem as compared with the other two.
Latifnejad, F., & Pourkhaleghi Chatroodi, M. (2014). Romantic Voice in Three Contemporary Ghazals. New Literary Studies, 46(3), 27-46. doi: 10.22067/jls.v46i3.15565
MLA
Farrokh Latifnejad; Mahdokht Pourkhaleghi Chatroodi. "Romantic Voice in Three Contemporary Ghazals", New Literary Studies, 46, 3, 2014, 27-46. doi: 10.22067/jls.v46i3.15565
HARVARD
Latifnejad, F., Pourkhaleghi Chatroodi, M. (2014). 'Romantic Voice in Three Contemporary Ghazals', New Literary Studies, 46(3), pp. 27-46. doi: 10.22067/jls.v46i3.15565
VANCOUVER
Latifnejad, F., Pourkhaleghi Chatroodi, M. Romantic Voice in Three Contemporary Ghazals. New Literary Studies, 2014; 46(3): 27-46. doi: 10.22067/jls.v46i3.15565
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